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MEDITERRANEAN MULTIMEDIA AWARD

Retrouvez ici la sélection des œuvres Multimédias sélectionnées pour la phase finale du PriMed 2013 :


17 OCTOBRE 1961, LA NUIT OUBLIEE

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“17 Octobre 1961, La nuit oubliée” takes us back to the events which shook Paris on 17th October 1961: fighting broke out between police and a peaceful protest of French Algerian Muslims organized by the FLN. The content, mostly original (testimonials which combine videos, photos, sound and documents) is organized around four themes to give a comprehensive understanding of the event and its context (“dans la manifestation” – 6 eyewitnesses from the protest march; “en coulisses” – 4 men from the corridors of power; “un jour dans la guerre d’Algérie” – a day in the war; and “se souvenir” – remembering, with Jean-Luc Einaudi).

 

DANS LES MURS DE LA CASBAH

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“Dans les murs de la Casbah” leads the user through the maze of stairways which characterize the Algiers Casbah. At each intersection, at the corner of every alley, the user has the option of entering a café to listen to old-timers, or open the door of the women’s house or sit down with students talking about their dreams of future.
Three virtual tours to immerse the user in this slice of Algeria, allowing him to listen to the people of the Casbah talking. Echoing these testimonies, Algerian researchers help us understand the Casbah. “Dans les murs de la Casbah” is based on the work of academics at the universities of Algiers and Rennes researching urban socio-linguistics, that is studying urban characteristics in relation to both space and language. To be accepted in this difficult district, the director worked with Algerian sociolinguist Reda Sebih, who conducted all the interviews in Arabic.

 

HOMS, AU COEUR DE LA REVOLTE SYRIENNE

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Having entered Syria illegally in late 2011, Caroline Poiron, a photojournalist on Géopolis, gives an eye-witness report on the state of resistance in the heart of the rebel city of Homs. For 7 days, she criss-crosses Baba Amr, a district in rebel hands, from combat zones to makeshift hospitals. She meets Tlass, the rebellion’s charismatic leader. 3 weeks later, she goes to areas controlled by the regime and its militias.

 

UN ETE A ALGER

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“Un été à Alger” is a transmedia documentary shot in Algiers during the summer of 2012 – the fiftieth anniversary of Algeria’s independence. 4 young Algerian film-makers talk about the city they live in, each with his own point of view, in 6 episodes. Un-ete-aalger. com, 6 weeks of live cinema: Lamine Ammar Khodja makes a filmed diary in the first person, and questions the contradictions of her country; Hassen Ferhani explores the working class district of Cervantes, both its reality and its legends (including Tarzan and Don Quixote); Amina Zoubir imposes her femininity and her camera in places reserved for men; Yannis Koussim films Algiers at night, after the Maghrib prayer. Each director makes an episode a week. As it evolves, “Un été à Alger” draws a subjective, contemporary and multi-faceted portrait of the city.

UNE JEUNESSE BOSNIENNE

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20 years after the beginning of the war, the youth of Bosnia and Herzegovina is liberated from its past. Through several meetings, the web-documentary “Une jeunesse bosnienne” shows people facing their fate, struggling to take control of their lives, caught between political corruption and their country’s lack of prospects. Some criticize nationalism, others remember their war wounds, many dream of Europe. Most want to move on and flee the commemoration celebrations of the war. Young people from Bosnia and Herzegovina, from Banja Luka to Tuzla, from Sarajevo to Kupres, not forgetting Mostar, look clearly and honestly at the concerns of a forgotten people living at the gates of Europe.

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THE BELL RANG

THE BELL RANG
22 minutes, 2011
Director : Salah EL-GAZZAR (Egypt)
Production : Egypt Media House (Egypt)

 

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“The Bell Rang” is about three Egyptian children who gave up school for different reasons. But they are each agreed on one thing. What is it? The film gives the answer.

 

Salah EL-GAZZAR was born in 1975 and has a degree in film-making. He has three films to his credit: “The curtain is up” (2009), “The sketch pad” (2010) and “The Bell Rang” (2011). He has also worked as assistant director and participated in Arab and international festivals.

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RESTORED PICTURES

RESTORED PICTURES
22 minutes, 2012
Direction and Production : Mahasen NASSER-ELDIN (Palestine)

 

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A journey through the life of Karima Aboud, Palestine’s first professional female photographer. Using her letters and photographs the film looks at the life and work of a woman in the years before the Nakba.

 

Born in Jerusalem in 1976, Mahasen NASSERELDIN makes documentary and drama films. She studied film-directing at London’s Goldsmiths College. A university researcher and teacher in media production, she concentrates her work on mass communication, social change and women’s cinema in the Middle East.

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LIVING IN THE NILE

LIVING IN THE NILE
10 minutes, 2010
Director : Mohamad EL WASSIFY (Egypt)
Production : High Cinema Institute – Academy of Arts (Egypt)

 

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« “The Nile…is my home…my work…for me it’s everything.” Fares.

 

Mohamad EL WASSIFY is an Egyptian director. He studied film at Cairo’s High Cinema Institute. “Living in the Nile” is his first film.

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GARBAGE

GARBAGE
18 minutes, 2011
Director : Burak TÜRTEN (Turkey)
Production : Erciyes University (Turkey)

 

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“Garbage” is about the wretched life of the men who live off landfills. They collect recyclable waste for resale. They can make 10 Turkish Liras per day but have to give half of that pittance to the owner of the landfill. Public authorities and institutions remain indifferent to this inhuman situation.

 

Burak TÜRTENwas born in 1990 in Ankara, Turkey. In 2011, he completed his studies at the Communication Faculty of the Radio, Film and Television department at Erciyes University. He has made three short films as director. He worked for two years as a presenter on Kampus TV and as a presenter and editor on a national television channel.

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BULAQ

BULAQ
26 minutes, 2011
Director : Davide MORANDINI et Fabio LUCCHINI (Italy)
Production : Rossellini Film & TV, One People Film (Italy)

 

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Bulaq is a district in the historic centre of Cairo. For thirty years the people living there have been fighting the Egyptian government who want to take the area over to build tourism infrastructures. The January 25th Revolution gave them hope… But the situation remains uncertain.

 

Fabio LUCCHINI is a young researcher in social anthropology and the anthropology of Islam at the Ecole des Hautes Etudes en Sciences Sociales in Paris.
He is also a freelance writer and director. He was cameraman and photography assistant on “Rototom Sunsplash” in 2009. “Bulak” is his first film.

A young freelance journalist, working in both Rome and London, Davide MORANDINI has written for several international online magazines such as Frontline Club London or Il Sole 24 Ore. During his stay in Egypt, he worked as a photojournalist for the Egyptian periodical Bikya Masr. He is a graduate of London’s School of Oriental and African Studies, specializing in the Middle East. “Bulak” is his first film.

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SARAJEVO MON AMOUR

SARAJEVO MON AMOUR
52 minutes, 2011
Director : Frédéric TONOLLI (France)
Production : Sunset Presse (France)

 

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Bosko Bric, a Serb, and Admira Ismic, a Bosnian Muslim, are ready to brave all dangers to be with each other. Only seven kilometres separate them, but in besieged Sarajevo there are no more trams, so they travel there and back on foot, by turns, under the shells and shrapnel. On May 18th 1993 they left the city and, hand in hand set off across the Verbania bridge. No more than a few metres without cover, but they won’t make it. Several bullets hit them. He falls first. She, in a final effort crawls towards the body of her lover. They were 25 years old and been in love with each other for 10 years.

 

Born in 1959, Frederick TONOLLI has been a cameraman and director for over twenty years. He has filmed and directed numerous documentaries for public television channels and collaborated on programmes such as “Faut pas rêver”, “Thalassa” and “Envoyé spécial”. Many of his documentaries have received awards, including the Prix Albert Londres. Recently he has made the following films: “Les dernières chasses des seigneurs de Béring”, “Le secret des sept soeurs” and “Sarajevo mon amour”.

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MÉDITERRANÉE, UNE SOUPE DE PLASTIQUE

MÉDITERRANÉE, UNE SOUPE DE PLASTIQUE
32 minutes, 2011
Director : Sophie LE GALL (France);
Production : Ligne de Mire Production (France)

 

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Could pollution from plastic contaminate the food chain and therefore arrive on our plates? The situation in the Mediterranean is particularly worrying since it is a closed sea, its waters only completely renewed once every hundred years. In addition there is a very strong human pressure on the Mediterranean. Scientists, citizens, fishermen are now blowing the whistle on this increasingly worrying pollution by plastic.

 

Having graduated from Sciences Po in Lyon and with an MA in political science from the Sorbonne, Sophie LE GALL went to the Centre de Formation des Journalistes. She began as a reporter for France 2 and France 3, then Point du Jour. Then she joined M6’s news magazine teams. She has made countless film reports, but also a dozen documentaries, the most recent being “Du poison dans l’eau du robinet” (90 minutes, 2010); “Mauvaises Ondes” (90 minutes, 2011); “L’école, une rentrée en question”; and “Nadine Morano, la groupie du président” (30 minutes, 2011).

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LE MARTYRE DES SEPT MOINES DE TIBHIRINE

LE MARTYRE DES SEPT MOINES DE TIBHIRINE
75 minutes, 2012
Directors : Malik AIT–AOUDIA (Algeria) et Séverine LABAT (France)
Production : Peacock Productions (France)

 

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For the first time, with the rigor of a criminal investigation, based on verifiable facts and exclusive testimonies repeatedly corroborated by heads of the GIA (Groupe islamique armé), senior officers of the Algerian army, members of French and Algerian governments and members of the intelligence services on both sides of the Mediterranean, “Le martyre des sept moines de Tibhirine” reveals in “World in Action” style the underside of a drama that continues to haunt the world’s conscience.

 
Malik AIT–AOUDIA is journalist, director and producer. In 1997 he made “Gouverner c’est choisir!” for ARTE. Subsequently, he worked as a writer for shows such as “De quoi j’me mêle” and “Mots croisés”. At the same time he was making documentaries about delinquent crime and justice for minors, for street children…
Passionate about, consumed by the Arab world, particularly Algeria, he has made many films on the subject, including “Autopsie d’une tragédie : Algérie 1988-2000”. In 2006, he created a production company Peacock in Algeria and France.

Séverine LABAT is a CNRS researcher and a film-maker. She studied political science, and since 1997 has worked at the Paris branch of the CNRS / CADIS as a specialist in urban violence in France, in the Arab World (Algeria, Palestine), and human migration. In 2003 she won the FIGRA Best Investigation Award for co-directing the film ” Vol AF 8969, Paris-Alger : histoire secrète d’un détournement”.

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ISLAM RADICAL : LES DJIHADISTES EN EMBUSCADE

ISLAM RADICAL : LES DJIHADISTES EN EMBUSCADE
52 minutes, 2012
Director : Kamal REDOUANI (France);
Production : Tac Presse (France)

 

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They define themselves as Salafi jihadists, similar to those who fought in Iraq and Afghanistan. Yesterday in hiding or in jail, today they want to hijack the Arab revolutions. From Tunisia to Syria, via Libya and Lebanon, this film uncovers the strategy of radical Islamists who are trying to establish themselves as successors to the deposed dictators..

 

Kamal REDOUANI was a reporter for RFI from 1996 to 2004. He made more than a hundred radio documentaries and reports from all round the world, then chose to move into television. Recently he made “Retour au Bled” about returning to one’s home country. He was in Tunis when Ben Ali was thrown out and decided to go to meet the young rebels of the Arab world. He made two films about that: “Jeunesse marocaine : l’appel au changement” and “La jeunesse de Bab el Oued”. Then he went to the Turkish- Syrian border and made a film diary for France 3 about the opponents of Bashar al- Assad’s regime, and the portrait of a writer who, by the force of circumstance, has become the revolution’s poet.

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