camorra-film

CAMORRA

70 minutes, 2018
Director : Francesco PATIERNO (Italy)
Production : Todos Contentos Y Yo Tambien, Rai Cinema, Rai Teche (Italy)

https://vimeo.com/290924298

The rise of the Camorra in Naples shaped the evolution of the city. From smuggling in its early days to the powerful organized clans of today, the Camorra has developed its own para-military power. Through the use of archival footage and news bulletins, “Camorra” shows the true face of one of the Mafia’s most powerful organizations.

Francesco PATIERNO was born in Naples in 1964. He is director, scriptwriter and author. Having studied architecture, he became creative director at an advertising agency. He then directed many TV shows.
He has made several films, including: “Pater Familias” (2002), “Il mattino ha l’oro in bocca” (2007), the television series “Donne assassine” (2008), “Cose dell’altro mondo” (2011), “La gente che sta bene” (2014), “Naples ’44” (2016), “Diva!” (2017).

>> MEDITERRANEAN MEMORY

XALCO

XALKO

100 minutes, 2019
Directors: Sami MERMER (Canada, Turkey) and Hind BENCHEKROUN (Canada, Morocco)
Production : Les Films de la Tortue (Canada)

In the middle of Turkish Anatolia is a Kurdish village, Xalko. Filmmaker Sami Mermer, who, like so many others, has emigrated to the West, returns to visit the place where he was born. He finds Xalko populated mainly by women, with just a few men — those who remained.
With co-director Hind Benchekroun he introduces us to the “flip side” of migration. Thanks to the filmmakers’ close relationship with the people they film, “Xalko” chronicles a way of life threatened by the exodus, while also being a poignant portrait of strong women living without men.
This return to source is also an opportunity to confront together the guilt of those who left, and the bitterness – often expressed with humour – of those who have worked hard to keep the life of the village afloat.

Sami MERMER, born in Turkey, and Hind BENCHEKROUN, from Morocco, have been working in the world of cinema for several years. Together they directed the documentaries “The Box of Lanzo” (2006), on homelessness in the United States, “Turtles do not die of old age” (2010), about three old men in northern Morocco, and “Callshop Istanbul” (2015), about immigrants passing through Istanbul. This film has been shown in several festivals, winning numerous awards: the Grand Prix 2M and the Fidadoc Human Rights Award in Agadir (2016), Best Documentary at the Duhok Film Festival and at the Golden Tree Film Festival. It was also nominated for Best Editing and Best Documentary at the 2017 Gala-Québec Cinéma.

>> MEDITERRANEAN ISSUES

UNKEPT SECRETS

UNKEPT SECRETS

70 minutes, 2018
Director : Dalit KIMOR (Israel)
Production : Dalit KIMOR, Yes Docu (Israel)

Two Orthodox Jewish women refuse to keep quiet about the paedophilia in their communities. They pay a heavy price.Unintentionally Ornit became a heroine overnight. She and her children, Yankie and Mandy, sued the rabbi who had sexually assaulted them — and went through a horrible court case. They also had to deal with the violence of their neighbours who defended the rabbi. They were treated like informers.
Genendy is married and has three children. Eighteen years ago she accused her father, also a well-known rabbi, of raping her when she was a teenager. Since then her family has rejected her. Both are assisted by Shana, an ultra-orthodox 29-year-old who works for an international Jewish organization. These two victims became role-models for other Orthodox Jews trying to combat the sexual assaults in their community.

Dalit KIMOR has a degree in Educational Psychology from the University of Jerusalem, and in Film and Television from Tel Aviv University.
She has written and directed several documentaries: “Border Land” (2000) won the First Prize in the Investigative Reportage category at the DocAviv Festival. She then directed the documentaries “Baby on Order” (2000), “Just Love and a Hug” (2002), “The Year of my Death” (2005), “Pickles” (2006 – selected at the 2007 PriMed) and “Ida’s Dance Club” (2009).

>> MEDITERRANEAN ISSUES

L’EUROPE AU PIED DES MURS

54 minutes, 2018
Director : Elsa PUTELAT and Nicolas DUPUIS (France)
Production : EKLA Production, ViàOccitanie Montpellier (France)

Almost 30 years after the fall of the Iron Curtain, Europe is once again retreating behind its borders. Spain, Greece, Bulgaria, Hungary, France at Calais, and soon Norway are all closing their borders, creating walls. Media coverage of the migrants has increased the rate at which these fortifications are put in place and strengthened controls. Hundreds of thousands of ever more sophisticated and expensive cameras, sensors and other equipment, thousands of men to monitor them – costing, of course, billions of euros. But despite all these walls, several thousand refugees still arrive in Europe each month. So why continue to build them?
This film questions the European policy of withdrawal behind its frontiers – a documentary survey across Europe to investigate and understand the hidden side of these walls which we, the citizens of Europe, know little about.

Elsa PUTELAT has been working since 2005 in different sectors (legal, coordination, consultation) within various humanitarian organisations: Amnesty International, Médecins du Monde, ACAT, Cimade. In 2007 and 2010 she also worked on two films produced by Plateforme des ONG françaises.
In 2018, she joined with Nicolas Dupuis to make “L’Europe au pied des murs”. Nicolas DUPUIS has made several films, short and long, since 2005, including “Quelle était belle mon usine” (52 minutes) in 2008, and “Tant qu’il y aura un blocus” (52 minutes) in 2012, co-directed with Matthieu Jeuland.

>> MEDITERRANEAN ISSUES

THE VALLEY

(LA VALLÉE)
75 minutes, 2019
Director : Nuno ESCUDEIRO (Portugal)
Production : Point du Jour (France), Miramonte Film (Italy)

For centuries the valleys of the Roya and the Durance, between Italy and France, belonged to one country or the other. Today it is through these valleys that refugees try to pass when they have been refused entrance at the border at Menton or Ventimiglia. Faced with their distress, some local people have decided to welcome them anyway, to protect them, to grant them “board and lodging”. But this gesture is both risky and illegal. Until now the law has stated that you have an obligation to help any person in danger, but today that is limited to helping only those who have their papers in order.
The people living in the valley decided to make their actions public, as an appeal for solidarity. But then the media descended, leading to a far greater police presence and yet more controls, which in turn endangers the refugees, the locals and their families.
This film tells some personal stories but also shows their collective actions. It follows ordinary men and women who, in the name of solidarity, are fighting to continue doing what they believe to be morally right.

Nuno ESCUDEIRO studied media at the University of Aveiro, Portugal, and documentary filmmaking at the Zelig School of Documentary Film in Bolzano, Italy. He works in different areas of the moving image, his works are shown in galleries and broadcast at film festivals. His experimental short dance films have been screened in several national and international film festivals. In 2012, he founded the PostmodernSquare group, which brings together eleven European organizations to collaborate on new projects which reinforce the use of art in different social contexts.
During his studies at the Zelig School of Documentary Film, he made two films: “Chronicles of Wind and Stillness” (2015) about border controls which prevent refugees from traveling from Italy into Austria and Germany, and “Moon Europa” (2016) on immigrants living in the countries of northern Europe. “The Valley” is his second feature-length documentary.

>> MEDITERRANEAN ISSUES

PriMed 2018 - Mediterranean young people award

REGISTRATIONS FOR HIGH SCHOOL STUDENTS AT PriMed 2019

For the 11th edition of Mediterranean Young Peole’s Award of PriMed, the CMCA invites all high school and college students from the Mediterranean to became jurors of PriMed 2019. The 23rd edition of PriMed will be held from 24 to 30 November 2019 in Marseille.

If you want to register your class, please contact us at education@primed.tv before 25th september 2019.

More informations are available here (only french language)


WEBSite DAAC here

Audience award Mucem

PriMed 2018, all the photos of 22th edition

The 22nd edition of the PriMed was organized in Marseille from 25 November to 1 December 2018 at the Mucem, the Alcazar Library and the Le Prado cinema. This edition has had great success of audience and high school students from all over the Mediterranean.

Thanks to all the partners and to all the participants. Photos by M.C. Ferrando, F. Mouren-Provensal, F. Revelli, C. Lorillot)

THE BEST MOMENTS OF PriMed 2018

(click on the images to zoom)

► Find here the pictures of previous editions

 

The awards of PriMed 2018

The 22nd edition of PriMed is coming to an end. Thank you to all the partners, directors, jury, public and volunteers who contributed to the success of PriMed 2018.

Here the list of awarded films :

MEDITERRANEAN ISSUES – sponsored by France Télévisions

LIBYA, ANATOMY OF A CRIME by Cécile ALLEGRA

MEDITERRANEAN MEMORY – sponsored by INA (Institut National de l’Audiovisuel)

MISSING FETINE byYeliz SHUKRI

FIRST FILM – sponsored by RAI (Radio Télévision Italienne)

OF SHEEP AND MEN by Karim SAYAD

Prix ART, PATRIMOINE ET CULTURES DE LA MÉDITERRANÉE

THREE THRESHOLDS: BIRTH-MARRIAGE-DEATH by Asuman ATAKUL FIRTINA

MEDITERRANEAN YOUNG PEOPLE’S AWARD

BIG SAPPHIRE, AN ORDINARY REVOLT by Jérémi STADLER

SHORT MEDITERRANEAN, AUDIENCE AWARD

DYING FOR EUROPE by Nikos PILOS

ASBU SPECIAL MENTION

MARSEILLE, THEY’VE KILLED MY SON by Edouard BERGEON and Philippe PUJOL

PRIX “MOI, CITOYEN MÉDITERRANÉEN”

– Mention Sud Méditerranée parrainé par CFI (Canal France International)

PLANÉTOPHILE by Cédric IBRAHIM

– Mention Nord Méditerranée

C’EST JUSTE UNE CANETTE by Anna DE VITA

PRIX A LA DIFFUSION

2M (Maroc) :

ASHBAL, THE LION CUBS OF CALIFAT by Thomas DANDOIS and François-Xavier TRÉGAN

France 3 Corse ViaStella :

STRANGE FISH by Giulia BERTOLUZZI

RAI 3 (Italie) :

STRANGE FISH by Giulia BERTOLUZZI

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The program of PriMed 2018

For the 22th edition of the PriMed the public screenings are held from November 25 to December 1 at Mucem Museum and  Alcazar Library.

Mucem (Esplanade du J4, 13002 Marseille – Auditorium G. Tillon)

dimanche-25-nov

Special day Audience award – Mediterranean Short Doc
15h00-17h00► Hommage à Kobané ǀ Dying for Europe (L’Europe à en mourir) ǀ Le trésor ǀ Dr Fatma ǀ With open wings (Les ailes déployées) ǀ Carmen
At the end of the projections, the public will vote for his favorite short film


Alcazar Library (58 cours Belsunce, 13001 Marseille)



jeudi-29-nov

SALLE DE CONFÉRENCE
13h30 ► A seed for change (La graine du changement)
15h15 ► Libye, anatomie d’un crime
17h00 ► Le Grand Saphir, une révolte ordinaire
18h20 ► Selection of mini films from high schools

AUDITORIUM

14h00 ► Les amoureux des bancs publics – La rue qui résiste avec l’art

15h40 ► Amis ennemis



Cinéma Le Prado (36 Avenue du Prado, 13006 Marseille)

16h 30 ► Award Ceremony – Music by Radio Babel

Free entry with invitation


Library Alcazar (58 cours Belsunce, 13001 Marseille)

 

 

 

SALLE DE CONFÉRENCE
11h00 – 13h00 ► Screenings of awarded films
(More informations from Friday 30/11 evening on www.primed.tv )
AUDITORIUM
14h00 – 17h00 ►Screenings of awarded films
(More informations from Friday 30/11 evening on  www.primed.tv )
Free entry

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Programme version pdfFlyer PriMed 2018 _ here the flyer  pdf